"Evidence of Being" was initiated after I embarked upon a project to archive the objects accumulated over the course of my 30 year artistic career. The project not only represents the strategy of self-historicization and feminist exploration, but also an investigation of the fraught and difficult politics connected to an artistic practice in New York City. By looking historically at the practical conditions that artists face: high rents, limited space, the art market, gentrification, class warfare, gender bias, ageism, other kinds of discrimination and the market-based metrics of success, I found these objects became a lens through which these issues could be explored in my work.

A Glimmer Of Hope
Resin, 22-karat gold leaf, vinyl lettering, acrylic, mirror and wood
5 ¾ “h x 16 “w x 16”d
Sorry To Inform You....
I'm Still Here
Wood, metal gold leaf, mirror, polyurethane, and acrylic
22 ½" h x 90" w x 1 ½" d
Not Forever
Resin, plastic, mirror, epoxy, acrylic, and crystals
82" h x 23" w x 13" d
Without The Self
Resin, metal gold leaf, acrylic, velvet pillow, and tassels
4 ¾" h x 13" w x 13" d
Follow The Yellow Brick Road - I Was Here
2016 - 2020
“Follow The Yellow Brick Road - I Was Here” is a site-specific installation at Center For Book Art
10¾' h x 26" w x 7" d
Evidence Of Being Video - Art in Odd Places 2019 INVISIBLE
October 17-20, 2019
Duration 2:37
Evidence Of Being
Rejection letters printed on revlar (waterproof paper), portable compact audio system, flyers, foam core, pins, and silicone wristbands
80" h x 67" w x 29" d
Insert Here
Paper shredder, acrylic, imitation gold leaf, polyurethane, vinyl lettering and velvet fabric
42" h x 43" w x 43" d
The Thinker
C-print, glass, shredded rejection letters, metal, plastic and wood
82" h x 42" w x 14" d
I’m Still Here
Archival Digital Print
15" h x 24" w
Paper-shredder, imitation gold-leaf, glass, rejection letters, shredded rejection letters, metal, plastic, acrylic, wood, and polyurethane
Dimensions Variable
Rejection, Reject, Re... Installation at Pen and Brush
30 of the 38 envelopes, archival paper, museum board, resin, acrylic, metal leaf, polyurethane, and colored wax
Overall installation 119" h x 179" w x 9" d (approx.) Dimensions Variable
Silver Lining - Installation Shot
Linen paper, museum board, digital print, resin, silver leaf, wax, acrylic and wood
26" h x 26" w (Dimensions Variable)
Glass, shredded rejection letter, imitation gold leaf, metal, plastic, and wood
62 ½" h x 43" w x 13" d
Sugar & Spice
Glass, shredded rejection letters, metal leaf, and vinyl lettering
5" h x 6" w x 2" d
Stairway To...
Rusted steel and shattered tempered glass
132" h x 48" w x 48" d
Follow The Yellow Brick Road
Gallery Guide maps of Chelsea inkjet printed on vinyl
Dimensions Variable
Turning Lemons Into Lemonade
Interactive multi-disciplinary installation: single-channel surround sound, digital prints on archival paper, acrylic, wood, silver paper cups, glass pitchers, lemonade, and mint
Variable Size, Site-Specific Piece
I Was Here
Digital archival print
24" h x 15 ¼" w (unframed)
Chelsea Then
Collage, photograph, acrylic, wood frame, ¼” shadowbox mat board, and non-glare plexi
48" h x 31" w
Chelsea Now And Then
C-print mounted on aluminum back and non-glare museum plexi front
32 ¼" h x 90" w Diptych (each 32 ¼” h x 43" w)
When Did You Decide To Be An Artist?
40" h x 40" w