"Evidence of Being" was initiated after I embarked upon a project to archive the objects accumulated over the course of my 30 year artistic career. The project not only represents the strategy of self-historicization and feminist exploration, but also an investigation of the fraught and difficult politics connected to an artistic practice in New York City. By looking historically at the practical conditions that artists face: high rents, limited space, the art market, gentrification, class warfare, gender bias, ageism, other kinds of discrimination and the market-based metrics of success, I found these objects became a lens through which these issues could be explored in my work.

New Work In Progress
2021
Digital print
19" h x 17 ½ w"
I'm Still Here
2021
Animation
Sorry To Inform You....
2021
video
Cycles Into Endless Time
2020
Wood, metal gold leaf, mirror, polyurethane, and acrylic
21 ½" dia x 1 ½" d
Wheel of Dharma
2020
Wood, metal gold leaf, mirror, polyurethane, and acrylic
28" dia x 1 ½" d
Persephone
2018-2020
Wood, metal gold leaf, mirror, polyurethane, and acrylic
22 ½" h x 90" w x 1 ½" d
Not Forever
2020
Resin, plastic, mirror, epoxy, acrylic, and crystals
82" h x 23" w x 13" d
Without The Self
2019-2020
Resin, metal gold leaf, acrylic, velvet pillow, and tassels
Off pedestal 4 ¾" h x 13" w x 13" d; On pedestal 40" h x 13" w x 13" d
Follow The Yellow Brick Road - I Was Here
2016 - 2020
“Follow The Yellow Brick Road - I Was Here” is a site-specific installation at Center For Book Art
10¾' h x 26" w x 7" d
Evidence Of Being Video - Art in Odd Places 2019 INVISIBLE
October 17-20, 2019
Video
Duration 2:37
Evidence Of Being
2019
Rejection letters printed on revlar (waterproof paper), portable compact audio system, flyers, foam core, pins, and silicone wristbands
80" h x 67" w x 29" d
Insert Here
2017
Paper shredder, acrylic, imitation gold leaf, polyurethane, vinyl lettering and velvet fabric
42" h x 43" w x 43" d
The Thinker
1988-2018
C-print, glass, shredded rejection letters, metal, plastic and wood
82" h x 42" w x 14" d
I’m Still Here
1989-2017
Archival Digital Print
15" h x 24" w
Sugar & Spice
2017
Glass, shredded rejection letters, metal leaf, and vinyl lettering
5" h x 6" w x 2" d
Reject
2016
Paper-shredder, imitation gold-leaf, glass, rejection letters, shredded rejection letters, metal, plastic, acrylic, wood, and polyurethane
Dimensions Variable
Silver Lining - Installation Shot
2018
Linen paper, museum board, digital print, resin, silver leaf, wax, acrylic and wood
26" h x 26" w (Dimensions Variable)
Rejection, Reject, Re... Installation at Pen and Brush
2019
30 of the 38 envelopes, archival paper, museum board, resin, acrylic, metal leaf, polyurethane, and colored wax
Overall installation 119" h x 179" w x 9" d (approx.) Dimensions Variable
Rebirth
2016
Glass, shredded rejection letter, imitation gold leaf, metal, plastic, and wood
62 ½" h x 43" w x 13" d
Stairway To...
2015-2016
Rusted steel and shattered tempered glass
132" h x 48" w x 48" d
Follow The Yellow Brick Road
2016
Gallery Guide maps of Chelsea inkjet printed on vinyl
Dimensions Variable
Turning Lemons Into Lemonade
2016
Interactive multi-disciplinary installation: single-channel surround sound, digital prints on archival paper, acrylic, wood, silver paper cups, glass pitchers, lemonade, and mint
Variable Size, Site-Specific Piece
I Was Here
1989-2016
Digital archival print
24" h x 15 ¼" w (unframed)
Chelsea Then
2006-2016
Collage, photograph, acrylic, wood frame, ¼” shadowbox mat board, and non-glare plexi
48" h x 31" w
When Did You Decide To Be An Artist?
2016
C-print
40" h x 40" w
Chelsea Now And Then
1989-2016
C-print mounted on aluminum back and non-glare museum plexi front
32 ¼" h x 90" w Diptych (each 32 ¼” h x 43" w)